The B2B-first model is interesting because the scout subscription seems closely tied to how much quality supply is already available.
I’d be curious which side you see as the harder constraint right now: getting enough artists in, or getting scouts to care once they’re there.
About
I created YNK to solve modern music discovery fatigue by giving listeners seamless, intelligent way to discover new tracks, explore audio content, and connect with fresh music outside of traditional recommendation loops.
1 Comment
The B2B-first model is interesting because the scout subscription seems closely tied to how much quality supply is already available.
I’d be curious which side you see as the harder constraint right now: getting enough artists in, or getting scouts to care once they’re there.